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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院年度教师山楂树之恋皇家酒店谋杀案握三下，我爱你播种的旅人下辈子我再好好过第三季暹罗情缘玛丽亚·凯莉的奇幻圣诞节特别节目一个温州的女人黄土姑娘哈利·波特与死亡圣器(上)（国语版）从宫本到你铁驭神兵白色夹竹桃神龙赌圣之旗开得胜狙击手：环球反应与情报小组断点2009梦幻岛2011我的朋友是萌鲨五星红旗迎风飘扬生死决断罗曼史数码兽BEATBREAK失忆少女物语丧尸公园风云九州1通往夏天的隧道，离别的出口
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院年度教师山楂树之恋皇家酒店谋杀案握三下，我爱你播种的旅人下辈子我再好好过第三季暹罗情缘玛丽亚·凯莉的奇幻圣诞节特别节目一个温州的女人黄土姑娘哈利·波特与死亡圣器(上)（国语版）从宫本到你铁驭神兵白色夹竹桃神龙赌圣之旗开得胜狙击手：环球反应与情报小组断点2009梦幻岛2011我的朋友是萌鲨五星红旗迎风飘扬生死决断罗曼史数码兽BEATBREAK失忆少女物语丧尸公园风云九州1通往夏天的隧道，离别的出口